February 2
February 3
February 4

The tables turn on white tourists in South Africa in these subversive anticolonialist parables that question the meaning of “civilization.” In Samantha Nell and Michael Wahrmann’s satirical short The Beast, a frustrated performer in a Zulu cultural village launches a one-man rebellion of Shakespearean proportions. It makes for a thought-provoking companion to actor-director Cornel Wilde’s lean, mean survival thriller The Naked Prey, in which white hunters become the hunted in colonial South Africa.
- The Beast
- The Naked Prey
February 5
- Daughters of the Dust
February 6
- Long Day’s Journey Into Night
February 7
- The Grifters
- House of Games
- Frownland
February 8
- The Secret Life of Walter Mitty
February 9
- Footlight Parade, Lloyd Bacon, 1933
- Sunset Boulevard, Billy Wilder, 1950
- The Bad and the Beautiful, Vincente Minnelli, 1952
- The Big Knife, Robert Aldrich, 1955
- Two Weeks in Another Town, Vincente Minnelli, 1962
- 8½, Federico Fellini, 1963
- Contempt, Jean-Luc Godard, 1963
- La ricotta, Pier Paolo Pasolini, 1963
- David Holzman’s Diary, Jim McBride, 1967
- Symbiopsychotaxiplasm Take One, William Greaves, 1968
- Lions Love (. . . and Lies), Agnès Varda, 1969
- Day for Night, François Truffaut, 1973
- The Day of the Locust, John Schlesinger, 1975
- Hollywood Shuffle, Robert Townsend, 1987
- Close-up, Abbas Kiarostami, 1990
- The Player, Robert Altman, 1992
- Adaptation, Spike Jonze, 2002
February 10
One of the most beloved films of all time, this sizzling masterpiece by Billy Wilder set a new standard for Hollywood comedy. After witnessing a mob hit, Chicago musicians Joe and Jerry (Tony Curtis and Jack Lemmon, in landmark performances) skip town by donning drag and joining an all-female band en route to Miami. The charm of the group’s singer, Sugar Kane (Marilyn Monroe, at the height of her bombshell powers) leads them ever further into extravagant lies, as Joe assumes the persona of a millionaire to woo her and Jerry’s female alter ego winds up engaged to a tycoon. With a whip-smart script by Wilder and I. A. L. Diamond, and sparking chemistry among its finely tuned cast, Some Like It Hot is as deliriously funny and fresh today as it was when it first knocked audiences out six decades ago. SUPPLEMENTAL FEATURES: Behind-the-scenes documentaries; interviews with Billy Wilder, Marilyn Monroe, Tony Curtis, and Jack Lemmon; and more.
February 11
- Tungrus
- The Big City
February 12
- Mustang
February 13
- Vanya on 42nd Street
February 14
- Brief Encounter
- In the Mood for Love
February 15
- Jason and the Argonauts
February 16
- Two Knights of Vaudeville, director unknown, 1915
- Mercy, the Mummy Mumbled, R. G. Phillips, 1918
- A Reckless Rover, C. N. David, 1918
- Within Our Gates, Oscar Micheaux, 1920
- The Symbol of the Unconquered: A Story of the KKK, Oscar Micheaux, 1920
- By Right of Birth, Harry A. Gant, 1921
- Regeneration, Richard E. Norman, 1923
- Body and Soul, Oscar Micheaux, 1925
- The Flying Ace, Richard E. Norman, 1926
- Ten Nights in a Bar Room, Roy Calnek, 1926
- Rev. S. S. Jones Home Movies, Reverend Solomon Sir Jones, 1924–1928
- Eleven P.M., Richard Maurice, 1928
- Zora Neale Hurston Fieldwork Footage, Zora Neale Hurston, 1928
- The Scar of Shame, Frank Perugini, 1929
- Hell-Bound Train, James Gist and Eloyce Gist, 1930
- The Darktown Revue, Oscar Micheaux, 1931
- The Exile, Oscar Micheaux, 1931
- Hot Biskits, Spencer Williams, 1931
- The Girl from Chicago, Oscar Micheaux, 1932
- Ten Minutes to Live, Oscar Micheaux, 1932
- Veiled Aristocrats, Oscar Micheaux, 1932
- Verdict: Not Guilty, James Gist and Eloyce Gist, 1933
- Heaven-Bound Travelers, James Gist and Eloyce Gist, 1935
- Birthright, Oscar Micheaux, 1938
- The Bronze Buckaroo, Richard C. Kahn, 1939
- Commandment Keeper Church, Beaufort South Carolina, May 1940, Zora Neale Hurston, 1940
- The Blood of Jesus, Spencer Williams, 1941
- Dirty Gertie from Harlem U.S.A., Spencer Williams, 1946
February 17
- The Great Dictator, Charles Chaplin, 1940
- Brief Encounter, David Lean, 1945
- Daybreak Express, D. A. Pennebaker, 1953
- Monterey Pop, D. A. Pennebaker, 1968
- Aguirre, the Wrath of God, Werner Herzog, 1972
- Mikey and Nicky, Elaine May, 1976
- The Marriage of Maria Braun, Rainer Werner Fassbinder, 1978
- La Ciénaga, Lucrecia Martel, 2001
- Tuesday, After Christmas, Radu Muntean, 2010
- Heart of a Dog, Laurie Anderson, 2015
- The Graduate
February 18
- J.M. Mondesir
- Rashomon
February 19
-
Border Radio, with Dean Lent and Kurt Voss, 1987
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Gas Food Lodging, 1992
February 20
- Pygmalion, Anthony Asquith and Leslie Howard, 1938
- Major Barbara, Gabriel Pascal, 1941
- I Know Where I’m Going!, Michael Powell and Emeric Pressburger, 1945
- Separate Tables, Delbert Mann, 1958
- A Man for All Seasons, Fred Zinnemann, 1966
- Murder on the Orient Express, Sidney Lumet, 1974
- The Lonely Passion of Judith Hearne, Jack Clayton, 1987
February 21
- The Graduate
- Bad Timing
February 22
- PlayTime
February 23
- Breathless, 1960
- A Woman Is a Woman, 1961
- Vivre sa vie, 1962
- Le petit soldat, 1963
- Contempt, 1963
- Band of Outsiders, 1964
- A Married Woman, 1964
- Pierrot le fou, 1965
- Alphaville, 1965
- Masculin feminine, 1966
- Made in U.S.A, 1966
- 2 or 3 Things I Know About Her, 1967
- La Chinoise, 1967
- Weekend, 1967
- Le gai savoir, 1969
- Tout va bien, with Jean-Pierre Gorin, 1972
- Every Man for Himself, 1980
- Hail Mary, 1985
- For Ever Mozart, 1996
- Film socialisme, 2010
- Goodbye to Language, 2014
- The Image Book, 2018
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A Woman Is a Woman, Jean-Luc Godard, 1961
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Vivre sa vie, Jean-Luc Godard, 1962
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Le petit soldat, Jean-Luc Godard, 1963
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Band of Outsiders, Jean-Luc Godard, 1964
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Alphaville, Jean-Luc Godard, 1965
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Pierrot le fou, Jean-Luc Godard, 1965
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Made in U.S.A, Jean-Luc Godard, 1966
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The Nun, Jacques Rivette, 1966
February 24
- Red River, Howard Hawks, 1948
- A Place in the Sun, George Stevens, 1951
- From Here to Eternity, Fred Zinnemann, 1953
February 25
- Night Journey
- Pina
February 26
- Atlantiques, 2009
- Snow Canon, 2011
- Big in Vietnam, 2012
- A Thousand Suns, 2013
- Liberian Boy, 2015
February 27
In the powder-keg political environment of the late sixties, Lindsay Anderson launched a pop-culture Molotov cocktail into British cinemas with his stunningly subversive If…., an anarchic vision of rebellion at a British boarding school starring Malcolm McDowell as the everyman turned guerilla revolutionary Mick Travis. In two subsequent films—the freewheeling anti-establishment epic O Lucky Man! and the divisive gonzo comedy Britannia Hospital—Anderson and McDowell continued to trace the story of the Travis character and his outlandish adventures in a through-the-looking-glass England. By turns surreal, shocking, and darkly funny, these furious satires simmer with rage at the hypocrisies of capitalism, institutional bureaucracy, and the British class system.
- If…., 1969
- O Lucky Man!, 1973
- Brittania Hospital, 1982
February 28
- Ali: Fear Eats The Soul
- The Edge of Heaven
February 29
- Invention for Destruction
Subject to change without notice.
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